http://www.albany.edu/offcourse 
         http://offcourse.org
         ISSN 1556-4975
		
Published by Ricardo and Isabel Nirenberg since 1998
"What do you see,  Amos? He asked. A basket of ripe fruit, I answered.  
          Then the LORD said to  me,  The time is ripe for my people Israel; I will spare them no  longer." 
	    Amos 8:2 
And as always the  elegantly bedecked find their place cards at the table, 
	    take their cushioned  seats,  and pick at pomegranates with forks stained purple as stale blood, 
	    the juice dripping down  bloated cheeks and patted dry with napkins. 
	    The gods hovering over  them are reduced to angry waiters, 
	    ordered around, poorly  tipped, and seething to present the final tab. 
	    And so the head waiter,  Jehovah, screams in Amos's ear,  
	    prophesying  a  cornucopia of calamities from the sweetness of fruit. 
	    For sweet soon turns  cloying then vinegary sour. 
	    In time all table fruits  spoil; In time there's a scavenging of spoils. 
	    For there are always  salivating onlookers  
	    pressing  against  gourmet ristorante windows, 
	    eager to barge in, kick  out the overstuffed diners, 
	    overturn  their  chairs then right them again and draw up new place cards. 
	    And with the shiniest  silverware these new gourmands will gorge on freshly served fruit 
	    and spit out the seeds. 
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Listed in the alumni  Who's Who as address unknown, 
	    and after having thrown  away every reunion party invitation, 
	    she finally had a  reunion in the emergency room── 
	    had slit her wrists, was  bleeding badly. 
	    Upon recognizing her  lost sorority sister, 
	    the doctor's bloodshot  eyes widened to gentleness. 
	    She dropped her  clinically sterile mask. 
	    But her patient's eyes  narrowed, her face scowled, 
  "you never knew me.  I never existed." 
	    Then she who wished she  never was 
	    turned away from the  star of the alumni Who's Who. 
	    Nevertheless, the doctor  stitched together the gaping wound, 
	    stitches skillfully  sewn, 
	    but a deep chasm  remained under the nearly lethal gashes. 
	    The pager summoned the  alumna  away, 
	    for the doctor had so  many others to cure. 
	    But she promised she'd  be back 
	    to close the hospital  bed curtains around them both 
	    and talk through the  night as they did long ago. 
	    Then that patient, that  bleeding sister, lay in bed 
	    and in her wounded  wrists felt the first healing itch. 
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Photo by Richard Fein.
Cronus was a real bad dad and not to be confused with Chronos, the personification of time.
Comes a time when — 
	    an aging stallion is  outpaced by the herd it once ran with, 
	    a stripped-of-scales  sardine drops out of its school, 
	    a bedraggled mallard no  longer can fly tandem with the rest of his lute. 
	    Comes a time when — 
	    those left behind must  elude alone, all alone, 
	    a pack of wolves, a  shiver of sharks, a boil of hawks, a nest of vipers, an ambush of tigers. 
	    Comes a time when — 
	    all must face talon,  fang, claw or hooded reaper, 
	    but are no longer  clothed by a surrounding crowd. 
	    Comes a time when — 
	    covert camouflage calls  out loudly, 
	    uncloaking a   gazelle and turning it boastful before a pride of lions. 
	    Comes a time when— 
	    one is culled out from  the rest. 
	    Comes a time— 
	    to have bones picked  clean by 
	    a murder of crows, an  unkindness of ravens, a congeries of eels, a wriggling of maggots. 
	    Comes a time when — 
	    a drove, yoke, mob,  lamentation, exaltation, covey, plague, swarm, parcel, parade, flock,  loveliness, 
	    and even a seduction of  sailors, 
	    are ineluctably  decimated and then decimated again, 
	    until there is two,  until there is one, 
	    until there is none. 
	    A parliament of owls or  a shrewdness of apes clearly see that 
	    comes a time when— 
	    one must ascend  heavenward through a kettle of vultures. 
	    But the fathers of time  have no collective noun, 
	    for there is only one  father time, one Chronos 
	    who like the Greek god  Cronus, 
	    sires then devours his  own children. 
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You can catch more flies with honey than with  vinegar, 
	    is a prolix proverb, for only honey is needed. 
	    Flies would never choose vinegar over honey, 
	    any more than a sensitive ear would listen 
	    to an acid tongue over a sweet compliment. 
	    Besides, honey is sticky, all sweets are 
	    even sweet lies, 
	    so why bother with sour pickle juice? 
	    The necessary and sufficient axiom need only be— 
	    you can catch more flies with honey. 
	    But when the fly finally finds its amber  ambrosia, 
	    its feet sink deeper into, its mouth is gagged  by, 
	    its spiracles are stuffed with 
	    that viscous fluid, 
	    and its eyes are turned useless by that golden  glob. 
	    After buzzing around it finally rests,                                                               
	    forever stuck in a cloying ambience, 
	    suffocating in its saccharine heaven 
    
       Richard Fein was a finalist in The 2004 New York Center   for Book Arts Chapbook Competition.
      A Chapbook of his poems was published by Parallel Press,   University of Wisconsin, Madison.
       He has been published in many web and print journals   such as Reed, Southern Review, Roanoke   Review,  Birmingham  Poetry Review,   Mississippi Review, Paris/atlantic,  Canadian   Dimension, Black Swan Review, Exquisite Corpse, Foliate Oak,    Morpo Review, Ken*Again     Oregon East, Southern Humanities Review, Morpo, Skyline,   Touchstone, Windsor Review, Maverick, Parnassus Literary Review, Small Pond,   Kansas Quarterly, Blue Unicorn, Exquisite Corpse, Terrain Aroostook Review,   Compass Rose, Whiskey Island Review, Oregon East, Bad Penny Review and many others.
       He also has an interest in digital photography and   many  poetry magazines have   published many of his photos.
      Samples Of His Photography Can Be Found   On
  Http://Www.Pbase.Com/Bardofbyte  
Richard Fein's work appeared in Offcourse #33.