http://www.albany.edu/offcourse 
         http://offcourse.org
         ISSN 1556-4975
		
Published by Ricardo and Isabel Nirenberg since 1998
Only a fragment of the rainbow showed, 
      its tag end heeled into the horizon 
      across the valley. Its blue matched the shade 
      that outlined the clouds, and what leaves were left 
      at the bottom of the field accented 
      the orange band in that partial arch, 
      and picked out the few wrinkled pumpkins left 
    along the fence by the shuttered farm stand. 
There’s little majesty in the landscapes 
      in this part of the world, only windbreaks 
      that tilt toward sluggish streams, tumbling 
      lines of stone walls and windrows--these vignettes 
      now washed with a patina like old varnish, 
      colors fugitive with the fading of the year. 
But like a radiant gilt frame that borders 
      a darkened painting crazed and dimmed with age, 
      the cars parked along the lane--a dozen drivers 
      pulled over on their evening commute 
      to snap cell phone photos of this view-- 
      outshone the humble grandeur of the scene 
      they stopped to see, the tableau they formed 
      in their shared impulse more vivid than that vista. 
We have taken it for granted that the Greeks
were ignorant of the properties of the arch.
— Arthur Ashpitel, "Treatise on Architecture," 1867
It’s not that they weren’t able to conceive 
        of such a thing, that neither the round 
        keystone of sun supporting the noon sky 
        nor the philtrum’s wedge carved into the apex 
        of marble lips that carried so much weight 
        of expression never suggested the form. 
        Instead, it was just the difference 
        between desire and necessity 
        that guides even civilizations, 
        between the impulses of inertia 
        and inspiration -- the bracing, time 
        and scaffolding required to stay with you, 
        for example, or leaving an enduring 
  “we” as just a theoretical construct. 
	  The wind that nods the shocks of cotton grass
	  lavishes us in forgetfulness.
	  Noon sun that ponders over alder leaves
	  fashions a honeyed absence beneath,
	  dappling us inside an easy shade.
  
	  The pock and ripple that carve the flowing jade
	  from within, and the following urgence
	  trembling from leader to rod tip, 
	  from sinew then deep into our marrow
	  affirms the illusion that another, 
    separate life might ply this same stream.
 Kevin Casey is the author of 'And Waking...' (Bottom Dog Press, 2016), and the
chapbooks “The wind considers everything” (Flutter Press) and “For the Sake of the Sun” (Red Dashboard). His poems have appeared recently or are forthcoming in Chiron Review, Rust+Moth, Valparaiso Poetry Review, and Ted Kooser's syndicated newspaper column,
'American Life in Poetry.' For more, visit andwaking.com.
This is Casey's first appearance in Offcourse.