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	    http://www.albany.edu/offcourse 
         http://offcourse.org
         ISSN 1556-4975
		
Published by Ricardo and Isabel Nirenberg since 1998
I'm heading for the border, past the river, 
          down into the gulch where the land turns wild. 
          I'm heading for the land of smoke and dreams. 
          All night I climb and climb, 
          and when dawn breaks, I look down 
          over a field of flame and burning oak, 
          willows sobbing in firelight.
          I am lost and broken. 
          My head aches and my feet swell 
          and burn. All night I search
          for the lamplight with a pair of suffering eyes. 
          My hands are filled with rain. 
          All night I sing of the vanishing land. 
          Where on that road is the light of truth to be found? 
          How many turns did I miss, how many signs? 
          Or if not truth's light, then at least 
          another way of seeing, another cloak or mode of dress, 
          a new language with a different set of verbs 
          that taste in the mouth like berries 
          from another world, tart and rich, with juice 
        that runs down my chin as I try to name the flavor and the scent.
A frog resting on a sunlit rock. 
          It stares through yellow eyes, 
          green-brown body gleaming 
          with a slick sheen. 
          They say the weather's changing, 
          cold air and snow sweeping in 
          from the west. They say the frogs 
          will need to go underground, 
          deep beneath the frozen pond. 
          Crows dart along the tree line, 
          cawing out the news.
          Something is falling from a long 
          way up. It's a slow-motion dive 
          down toward scrub grass and reeds. 
          If you listen by the window, 
          you might hear a whistling,
          a strange new code. 
          If your eyes won't focus, 
          that is why – 
          the world has become strange 
          and out of tune. 
          Beyond the pines, mountains loom 
          out of mist, first solid, then 
        shimmering to shadow in late afternoon. 
Steve Klepetar lives in the Berkshires in Massachusetts. His work has appeared in nine countries, in such journals as Boston Literary Magazine, Deep Water, Antiphon, Red River Review, Snakeskin, Ygdrasil, and many others. Several of his poems have been nominated for the Pushcart Prize and Best of the Net. His fourteen collections include My Son Writes a Report on the Warsaw Ghetto, The Li Bo Poems, and Why Glass Shatters.