http://www.albany.edu/offcourse 
         http://offcourse.org
         ISSN 1556-4975
		
Published by Ricardo and Isabel Nirenberg since 1998
Oh, do not ask, “What is it?”
                                Niels Bohr
wonderful wonderful Copenhagen
        Heisenberg’s queen of the c
        one can’t sail away
  ’s no away today
        no today today and
        and no facts per se
        within the absolute within
“Let us go and make our visit.”
                               Albert Einstein
in zones of minor keys and fear
        every lump will quickly disappear
        will sluice through dual gates
        and will splash and interfere
        as waves whose signs upon a wall
        will haunt a puzzled listener
        who listens in the snow white coat
Wave goodbye to local realism’s harmony
        and armbands in the ecclesiastical wilderness 
        where thickets of ancient wisdom’s debris
        clutter the shady downy dustbins
        of a history long forgotten but a history that
        haunts the shadowy frontiers of a quantum
        world where hepcats jive riffs of blue note
        changes without regard for admonitions.
        As in a freight yard’s flutter and in
        a seminar’s mutter sinking slowly in the west
        a gestalt weapons ban inspires the music
        of the spears to pierce the abode of a pacific pussy
        who’ll never know whether if ever
      the wave function has collapsed. 
John Marvin is a teacher who retired and subsequently earned a Ph.D. in English at SUNY Buffalo. He has poems in scores of journals, received 6 Pushcart nominations, and published literary criticism in Hypermedia Joyce Studies, James Joyce Quarterly, Pennsylvania English, and Worcester Review. He has a chapter in the anthology Hypermedia Joyce, and his book, Nietzsche and Transmodernism: Art and Science Beyond the Modern in Joyce, Stevens, Pynchon, and Kubrick, awaits a publisher.
He seeks to marry the experimental, non-narrative with the lyric and traditional in the manner of Nietzsche’s marriage of Apollo and Dionysos. He generally avoids accessibility for its own sake, and the prosaic personal story with superimposed line breaks that is ubiquitous these days.