http://www.albany.edu/offcourse 
         http://offcourse.org
         ISSN 1556-4975
		
Published by Ricardo and Isabel Nirenberg since 1998
Brain buzzing every minute of the night,
      turn left? turn right?
      stay straight? I cannot reconstruct
      my destination—in my dreamed mind only
      raspy fog sticking like burrs, and no dissolve
      into the goal I must recall, supermarket?
      post office? doctor’s? in order not
      to be immobilized at this flashing
      stoplight. Then I force my foot
      off the brake to turn this closest corner
      staring at me in stupor,
      and then I’m wildly cornering like a bumper
      car, the quiet skin of the familiar
      peeled off all the buildings—
      which I can neither recognize
      nor ignore—revealing a stark whiteness, 
      mica-bright,  that drills my eyes. My head on fire,
      I desert the ticking van, stumbling
      from the impenetrable street
      through an open door. It’s Rite-Aid,
  Open Late. And like my dead, demented father,
      I hand the clerk the note I carry
      with the ciphers of my name and number, 
    hoping he can tell me who I am. 
Yesterday, the flash supernova
      of the diagnosis 
      almost stifled in her husband’s arms,
      she did want, she didn’t want
      the moment he gravely said, 
  you know I’m here
  no matter what—
How much she needed
      to push him away,
      or have him abscond with her
      into Before, how lucky she is, in After,
      to have him—
though imprisoned in the citadel
      of her own skin.
Today, pre-arranged visitors muffling
      the humming silence, the As If of Before
      so close... 
Yet, in the supermarket
      before the guests arrived,  the insuperable
      beauty of the Muzak—wave 
      upon wave of “Autumn Leaves”
      flooding her ears—proof she has entered
      After.
Now, at three in the morning,
      she wakes flailing,
      pitched into a boundless sea—
      fear like water 
      filling her mouth. 
Now, it is absolute After, 
      and he sleeps
      on the warm, private beach
      of the well.
Judy Kronenfeld’s most recent full-length collections of poetry are Bird Flying through the Banquet (FutureCycle, 2017), Shimmer (WordTech, 2012), and Light Lowering in Diminished Sevenths, 2nd edition (Antrim House, 2012)—winner of the 2007 Litchfield Review Poetry Book Prize. Her fifth collection, Groaning and Singing, is forthcoming from FutureCycle Press in 2022. Her poems have appeared in American Poetry Journal, Cimarron Review, Connotation Press, New Ohio Review, Offcourse, One (Jacar Press), Rattle, Valparaiso Poetry Review, and other journals, and in more than two dozen anthologies. She is Lecturer Emerita, Dept. of Creative Writing, UC Riverside, and an Associate Editor of Poemeleon.