http://www.albany.edu/offcourse 
         http://offcourse.org
         ISSN 1556-4975
		
Published by Ricardo and Isabel Nirenberg since 1998
Some dance until they drop.
        Some blow steam
        like a kettle on a hot plate.
        A few are in regular contact 
        with a guy who tells them 
      all they need to know.
It’s America.
        Words come out of some mouths
        and are stuffed into others.
        Most use soap to get the dirt off.
        That isn’t always enough.
Some use sex as a blowtorch.
        Some shove it down 
        into their underwear 
        where it belongs.
        Not everyone loves their body.
        But it’s all they can afford.
It’s America.
        Not America as people 
        might have hoped.
        But the one where you
        get to live 
        when all other means of existence
        are exhausted.
Some take to the streets.
        Some crouch down in small rooms.
        Some are so religious,
        their devil-horns 
        are uprooted by crosses.
In America,
        people grow politicians
        in their wombs.
        Or stick to their beliefs 
        like fridge magnets. 
        Or go undercover 
        in their own lives.      
Some sing a hymn
        in praise of themselves.
        Some are so homeless,
        not even life is their home.
        A few, very few,
        rise to the top,
        look down, way down,
      upon the last time they kept their word.
It’s America.
        50 states 
        but an endless supply 
        of states of being.
        At this very moment,
        I happen to be standing in it.
        The sky is overcast.
        It’s starting to rain.
        What other country can say that?
I sat in the dark movie theater 
        and watched lovers kiss. They did
        it with style. They dragged it up
        out of the quagmire of almost
        losing each other and it didn't
        have a drop of muck, of slime.
        It was all stars. It was all those
        fluorescent creatures in the deep sea.
        I sat there in that enormous, dark
        empty theater like I'd been stood
        up by the world when it was just
        your phone call and your voice doing it,
        so grainy, so tiny, it barely belonged
        to anyone. So I stumbled out into
        the snow. And I slipped into
        the bijou. And I was low and cold and alone
        and the figures on the screen
        were wild and hot and bursting inside
        each other. After it was done, I tried
        to gather up the scattered pieces
        of all they'd been through
        but all I could get my hands on was
        the rows of seats, the fake-gold walls,
        even the tiny foyer where they sold
        stale candy. A wind could pick up
        what they'd left behind in their fury,
        blow it on to the next movie, to
        reassemble in a clinch, a sigh.
        But I had to drag that theater
        home with me. I had to sit with it
        beside the cobra-headed telephone.
        I had to sleep with it in the bed
        beside me. I had to watch half the
        world making love to the other half
        in my dreams. But without us.
      So it never quite made a whole.
John Grey is an Australian poet, US resident, recently published in Penumbra, Poetry Salzburg Review and Hollins Critic. Latest books, “Leaves On Pages” and “Memory Outside The Head” are available through Amazon. Work upcoming in Lana Turner and International Poetry Review.