http://www.albany.edu/offcourse 
         http://offcourse.org
         ISSN 1556-4975
		
Published by Ricardo and Isabel Nirenberg since 1998
Always more life. No use
        for terms like termination or begin. No
        significance to setting out
        except as an extension to the journey,
        a segment traversed. Vivacity 
        steady, or at least enough vim and spark 
        in each body for the journey
        through the continuous now. Not until 
        or up to some point or pinnacle
      or even some depression.
Depressions?  Well, slumps and sloughs,
        the possibility ever open for another view,
        another climb to see new vistas. Or, if the legs
        are not capable of a labored ascent, a cane 
        or hiking pole along a flat circuit. Whether that 
        or the bumpy struggle, respite in pauses for
        shade and a look around. The self,
        with its vulnerable core that might prove
        to be less or more than its cover, equal
        to the path, the task, a traveling show
        playing over and over, entertained
        and entertaining, wherever it goes.
Say I had gone to bed but not to 
        sleep, lay a long while before deciding
        that a book would help me to relax.
      It would be a mistake.
If I clicked the light on, Letta would 
        start right in, “Here I am,
        as summoned. Is this bright 
        enough? Well, tough. That’s all I’ve got. 
        And let me tell you...listen to what...”
She’d be eager as a dog left in a cage 
        for hours without a bone to gnaw. When
        she was in my art class and I suggested
        nudging her more frequently to lift
        a pencil or a brush, she said, “Well, crack
        the whip and you won’t see me anymore.”
The class, for her, was somewhere to
        unload a stream of stories about family.
        She called our sessions therapy, voicing
        complaints, showing photos around,
        which she’d taken so that one day, if she
        lived that long, she’d render them with
        paint--mostly pics of flowers and skies.
Her words wove a mesh that held her up, 
        or together, held her among us, allowed her
        to be sure she was present and included as she
        did her best to light up the room.
It was summer. My sister and I had my brother’s
        BB gun, unloaded. I shot at weeds. She shot at
        the ground, making the dirt jump. I pointed,
        said there were invisible animals there
      jigging, kicking their feet up.
This may have been the worst thing I have ever 
        done, the stupidest, the most ill-conceived. 
        I didn’t plan it, simply thought it, carried
        through. Wasn’t it supposed to be a harmless
        little trick? Didn’t I know better? Although
        very young, I had reason, sense. I did
        my chores properly, saved my allowance.
I told my sister there was something up the barrel
        and persuaded her to look. Then I pulled
        the trigger. Of course, the power of that blast
        of air in her eye hurt badly. She cried and I was
        stricken. I didn’t foresee the terrible bruising or
        the awful soreness for days, then weeks. “You
        could have blinded her,” my Mother said, 
        and so it was true for me that day and long after.
I had tried to blind my sister, who, 
        now and then reminds me of what I did,
        and of Mother’s words. I tell her it haunts
        me, that I am so grateful there was no lasting
        damage, that I can’t explain what possessed
        me. I wish, every time, I could go back to my
        young self and tell her: if you don’t
        reconsider, you will regret this, never stop 
        repenting. Each time you remember, 
        you will feel small, wonder 
        whether you know yourself at all.
Lavina Blossom is a visual artist (painting and mixed media) as well as a writer. She grew up in rural Michigan and now lives in Southern California. Her poems have appeared in various journals, including 3Elements Review, The Paris Review, The Innisfree Poetry Journal, Poemeleon, and Ekphrastic Review.