http://www.albany.edu/offcourse 
         http://offcourse.org
         ISSN 1556-4975
		
Published by Ricardo and Isabel Nirenberg since 1998
 Our son, at two, bestowed its special name, 
	    but it began as a clean cloth diaper
	    flung over my shoulder, when he was an infant,
	    to keep wet gurgles and spit-up
	    from my clothes, as I burped him
	    after nursing. I would lift him from me
	    to lay him down softly in his bassinet,
	    and he’d come away clutching the diaper
	    in his fists; soon one, or a smaller
	    substitute was required to gentle the night
	    for rest. In spite of the moniker he gave it,  
	    he never chewed it so much
	    as cherished it with fingers or cheek.
To my surprise, I recognized a version,
        on a long-ago visit to his grad school digs—
        a piece of ancient yellow tee shirt, 
        already mellowed by first grade,
        poking out from under his mattress. 
      
      
        Now he’s middle-aged, at home
        on another continent. We haven’t seen him
        for two years. We’ve hardly seen
      anyone.
These days, his dad and I find ourselves holding
        the little pillows filled with beads—
        bought for our arthritic necks—
        like small white pets against
        our chests, until we fall asleep. 
            Feh!
                    1. Expression of disgust.
                    2. Epithet for indignant disapproval.
                    3. Forceful epithet to signify rejection.
                                                        —Leo Rosten
                    
  Feh! was the soul-destroyer
        in her clan, reducing her
        to a puddle on the floor
        when her mother deployed it,
        spitting it at her as she showed off
        her just-bought snazzy dress—though she knew
        it might not be her mom’s true judgment
        so much as the residue of some stick-in-the-craw aggravation 
        as yet unresolved. Feh! cut through layers
        of joy—like a warmed knife through
        ice-cream cake she’s never gonna
        get a piece of—when she’s several celestial
        spheres over the moon about a new boyfriend—
        who’s a decade younger than the doctor
        with the family seal of approval who just 
        dropped her—and a pizza chef, to boot!
        and her favorite aunt pronounces him Feh!
        cutting her dead. 
More scornful than bah! more disgusted
        than bleah! and not even slightly
        funny, like yuck! or blech!
  Feh! was far worse than tsk-tsk, than rolling eyes,
        than a heavy sigh; it left nothing to discuss,
        to work with, to redeem. It was reserved
        for the reprobate, the beyond lost, the hopeless.                                            
        It had the whole army of righteousness
        at its back, excommunicating the recipients
        of its derision by fiat, making her long
        for the heartfelt Mazel Tovs and Siman Tovs
        of her tribe—exuberant as hora dancers
        ringing the wedded pair in approbation and love.
We brought the dog home
        from the vet, washed clean,
        but neither diagnosed nor treated
        for her cough—which was nothing
        obvious. And then, quite suddenly,
        her agony began. She placed herself 
        by her water-bowl, lapped and lapped,
        went out the dog door to dig a hole,
        vomit, or have diarrhea,
        came in, belly distended, 
        lay back down on the cool floor
        by the water, then rose again
        for the slow work—
        to the yard. Sometimes she stayed there
        as the night wore on,
        wheezing, facing the fence.
      And no way to ease her.
In her eyes: absence.
Finally, spent, we slept restlessly.
        At 5 A.M. I found her, stiff 
        on the patio—a little pool of blood
        at her rear and a trail of ants
        going to and from her nose. 
 In the dreary dawn, back in bed,
        I dreamed she rose on new-sprung legs—
        a Lazarus dog. Her eyes reflected light
        clear through, and shone
        a spectral phosphorescent green.
      I called, and later that morning, a man came 
        to collect her in a black trash bag.
        He crouched to study her,
        then glanced at us—the parents,
        the two teenagers, all quietly numb. “She looks like
        she was a good dog,” he said,
        and gathered her in. 
      She used to leap from rock to rock on canyon trails
        and fresh-sage-smelling hills, her quick eyes
        checking back for us—Good Dog!—
        and flashing electrically answering love.                                                                                                                                           
        And then, in that sparkless look before she died—
        as if our two species had never mutually communed—
the coldest reaches of the universe,
      the blackest places between stars.
Judy Kronenfeld’s fifth full-length collection of poetry, Groaning and Singing, was published by FutureCycle Press in February 2022. Previous collections include Bird Flying through the Banquet (FutureCycle, 2017) and Shimmer (WordTech, 2012). Recent poems have appeared in Cider Press Review, Juniper, Loch Raven Review, MacQueen’s Quinterly, New Ohio Review, North of Oxford, Offcourse, Pratik, Slant, Verdad, Your Daily Poem, and other journals.