http://www.albany.edu/offcourse 
         http://offcourse.org
         ISSN 1556-4975
		
Published by Ricardo and Isabel Nirenberg since 1998
        Call out for lack of a calling, for the ease 
        or the chore of it, the unsolicited ache. 
        For all those at-rest, settled-in, and all those 
        who've been x'd out, deleted from text--
        cast to space’s many recesses but soon restored 
        to the streets slickened with traffic and rain,
        the trapped air of the factories, let in late, 
    tallied unto the rest with their rarest of intent.
And call out from the chest--all that it shelters 
        and teaches us, whether carol or chant, 
        the unorchestrated, whether clichéd or ill-dealt, 
        rich in secrets.  Call out if you have the ear,
        inclination, all is near-sacred.  From the shore 
        where we’ll resort to the odes of those past,
        or those trees where we’ll cheat towards a star’s 
        wavering artistry.  Crane your heads, no note parts.
Outside, I’d tout our routine again—
        an anonymous host stowed away
        in my ear, ever informing me of the earth’s 
    undying worth, in-demand sort of theater—
here, its dewy eyed reasonings
        there, its seas taking measure of shorelines 
        seeming to free me up from life’s come-ons, defilements
    for more mark downs and blank reassurances
 while inside, they’d sold me complete with a chair
        where I lowered myself to the ceaselessly dreamt
        reaching after these ghosts of ideas  
    of no use but to ease out of, amuse myself
what little is left of me—these most unreal memories
        won’t let itself be addressed by any of the light
        or suggest any of what night has restaged 
    it so as not to be noticeably felt
but to only be, listen up! Noted as
        artlessly mad and insistent on drama
      thrown together from worry and doubt
      made to draw the word out, order
It makes do with black and white. 
    And a red so bright it’s called “Chagall’s First Kiss.”
It can’t tell where I end and my dream begins.
      All I know is there are goats and they are sailing.   
Light is like that, they say. Less about what it’s  
      felt for you. More, what is still left of it by nightfall.
till eternity’s ever-rumored return,
    she’ll still only outlast the land
and its unyielding rulings,
      sun-reasoned surfaces, 
all those hills fired red 
      and the shore’s 
senseless reassurances
      so engrained in her stereo-memory,
dreaming of an air rid of the slightest 
      of night’s miry chill or gentlest rain,
in order that she’ll stay re-married, 
      somewhat true to that ideal, 
her arms parting
      with yet one more sea,
her legs, once again, starting out 
      from one long-held desire.  
Mark DeCarteret has had some luck somewhat recently with The American Poetry Review, Fence, Gargoyle, Guesthouse, Hole in the Head Review, Nine Mile Magazine, and Plume Literary Journal.