http://www.albany.edu/offcourse 
         http://offcourse.org
         ISSN 1556-4975
		
Published by Ricardo and Isabel Nirenberg since 1998
Don’t know how I wound up 
          in this pit of quicksand, my sombrero
          perched upon a cactus spoke,
          a ragged buzzard squatting atop it,
          that ghost town nearby the gulley.
          I’m in chest deep now and, oh,
      the pressure on my heart.
This is what happens when you try
          to remain a rectitudinous man.
          We took the Alamo all right 
          and I personally raised our flag.
          Viva Santa Ana. I didn’t kill
          nobody though and could be
          the General deserted me because
          of that and the bleeding wound
          in my groin. I can hear my brothers
          screaming up near the river where
          the Americans are slaughtering them
          as they siesta after the carnage.
Revenge looks futile from this vantage.
          Never ends, eon after eon, lurks
          in the mind like, well, quicksand.
          Guess I’ll wind up like one of those
          peat-bog corpses, black and mangled
          but precious to archaeologists. 
If only we knew our fates before
          we were born and could self-abort
          if things looked bad. Up to my neck
          now. The buzzard has flapped away.
          One last smile for me as I remember
          those sweet trysts with Simon Bolivar’s
          granddaughter back in Copacabana,
          we both then sixteen and immortal.        
Adios, chums. Guess it's worth it
      after all.
Nothing finer than when first the eyes
        of new lovers lock, that visual transport
        and transcendence, the instant communion
        of desire, an immensity that, alas,
        cannot sustain through time and yet mocks time
        with fervid remembrance . . .
        
        why, I recall once in Byzantium, her gaze
        upon me set and, magnetized, my own gaze
        secured--as if voo dooed, we stood both
        dumbfounded and aghast but mostly sublimed
        and would have so remained forever
        if so blessed. For that splendor of the eyes
        is greater than what follows, that one moment
        that leads to all the rest, the clumsy hopes
        of flesh to incarnate and canticle what once
        softly detonated as pure, resplendent light.
Sugie dips her long black soup spoon
        into an earthen bowl of ratatouille
        and sips for taste and believes
      for that instant she has tasted God.
Any gain in information here
        means an increase in entropy there.
        At the moment of her rapture
        Bolivia vanishes into a sink hole.
        The equations for information theory
        and thermodynamic disorder are identical.
The more we learn, the faster
        the universe disappears.
        Think dark matter and energy.
        Well, I’m no Shannon nor Szilard,
        which should be obvious—
        so I go by the popular glosses
        and even then have a hard time
        grasping the import.
But I know right now that my basement
        is flooding again and ice laminates
        the front steps. Somebody somewhere
        must be tasting God anew.
        And, oh, that ratatouille is platonic.
        Be sure to roast the vegetables separately
        before stirring into an ignorant broth.
        I prefer a lot of garlic and onions
        but it’s anybody’s game.
My own information has dwindled
        with the years. There must be
        a new planet or star simmering
        in the cosmic crockpot. 
        Or maybe Sugie saved Bolivia.
There was a bland hippopotamus
        Who longed to be wild and preposterous.
        To gain such aplomb
        He swallowed a bomb
      But became instead hippoposthumous.
 Yeats caught the drift all right, must be reading
        his journals of youth, as I am now, which seem
        scarcely plausible from scarecrow vantage—
        all that sound and fury, the antics and hijinks,
        gains and losses (as if tabulations on an IRS form),
        the assignations and rendezvouses, energy
        and passion, those who loved us, those
        who wanted us dead, a freak show of sorts,
        all of us consigned to that head of a pin
        we deem the past, slim tip of a light cone,
        all of us, deranged and rearranged, drowning
        in fluent, evanescent froth and foam—
makes you wonder about the ancestors,
        how they too, their nymphs and satyrs
        gone now, gone forever, how they too
        fared. I suspect precisely the same.
        They too romped in their heydays, their halcyons,
        their Golden Epochs, as will descendants
        to come in cyclic Eternal recurrence, 
        look there—tearful Peleus still stares
      at Thetis with limbs delicate as an eyelid.
I see her face in my brain’s eye, the nymph
        of the ages as I, satyr, peer from a bush—
        make it pyracantha with blazing,
        swollen, spectrum-hued berries drooping
        from their branches, too soon dried up, scattered
        on a sidewalk, trampled, crushed by passersby
        who tread too late to glean their burnished glow
        betokening monuments
        of our muted, mythic magnificence.
Four volumes of Louis Gallo’s poetry, Archaeology, Scherzo Furiant, Crash and Clearing the Attic, are now available. Why is there Something Rather than Nothing? and Leeway & Advent will be published soon. He was invited for and interview and reading of his work by National Public Radio’s program “With Good Reason,” broadcast across the country, 2021. His work appears in Best Short Fiction 2020. A novella, “The Art Deco Lung,” will soon be published in Storylandia. National Public Radio aired a reading and discussion of his poetry on its “With Good Reason” series (December 2020).